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John James Audubon: Yellow Warbler Art Block Framed Print
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John James Audubon: Yellow Warbler Art Block Framed Print

Description
Artist, birdwatcher, and conservationist John James Audubon (American, 1785–1851) captured North American birds’ spirited energy in their native habitats. A set of Audubon lithographs (1840–44) is a Museum treasure. Our framed print is vibrantly colored and meticulously reproduced from details of plates in these volumes.
Giclée print on archival paper. Mounted on a 2''-deep natural frame made from sustainably grown ash wood. Includes hardware for hanging. 10'' square.
- Mounted on a 2''-deep natural frame made from sustainably grown ash wood
- Includes hardware for hanging
- Giclée print on archival paper
- 10'' square
Art History
John James Audubon (American, 1785–1851) spent years studying birds in the wild, then made 435 watercolors for The Birds of America, a lavish series of large aquatints published in Edinburgh and London between 1827 and 1838. After returning to New York, the artist worked with J. B. Chevalier of Philadelphia to create 500 hand-colored lithographs of his designs. These were published in seven octavo volumes between 1840 and 1844.

Description
Artist, birdwatcher, and conservationist John James Audubon (American, 1785–1851) captured North American birds’ spirited energy in their native habitats. A set of Audubon lithographs (1840–44) is a Museum treasure. Our framed print is vibrantly colored and meticulously reproduced from details of plates in these volumes.
Giclée print on archival paper. Mounted on a 2''-deep natural frame made from sustainably grown ash wood. Includes hardware for hanging. 10'' square.
- Mounted on a 2''-deep natural frame made from sustainably grown ash wood
- Includes hardware for hanging
- Giclée print on archival paper
- 10'' square
Art History
John James Audubon (American, 1785–1851) spent years studying birds in the wild, then made 435 watercolors for The Birds of America, a lavish series of large aquatints published in Edinburgh and London between 1827 and 1838. After returning to New York, the artist worked with J. B. Chevalier of Philadelphia to create 500 hand-colored lithographs of his designs. These were published in seven octavo volumes between 1840 and 1844.
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