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Tapestry in the Baroque: New Aspects of Production and Patronage

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Item# 80-008611 







Description

Edited by Thomas P. Campbell and Elizabeth A.H. Cleland

The exhibition Tapestry in the Baroque: Threads of Splendor, which opened at the Metropolitan Museum in 2007, was the occasion for a symposium at which renowned tapestry scholars presented results of some of their important, highly detailed research. This volume publishes the papers in well-illustrated articles.

The introductory article tours the exhibition, setting out its organization over the course of the period 1590 through the early 1700s, which saw the scattering of Flemish weavers around Europe during years of religious turmoil and the resulting development of the tapestry industry in such centers as Delft, Helsingr, Munich, London (Mortlake), Paris, and Rome, and then the industrys revival in Brussels. In their articles, the contributors concentrate on specific individuals in tapestry design, production, and collecting. They distill the result of laborious digging through family and crown inventories, parish records, notarial accounts, and other archival resources, as well as close examination of historical reports, to put forward new assessments of the accomplishments of tapestry designers and producers and a better understanding of the reasons wealthy patrons collected and displayed tapestries and presented them as gifts.

368 pages, 243 illustrations. 8'' x 10''. Paper.

  • 368 pages
  • 243 illustrations
  • 8'' x 10''
  • Paper

Editorial Reviews

This is a beautifully produced glossy volumeparticularly valuable source of information and an inspirational tool which is more than fit to take its place on any serious tapestry researchers (or indeed, social, cultural, or art historians) bookshelf.
The Art Newspaper

Customer Reviews




Description

Edited by Thomas P. Campbell and Elizabeth A.H. Cleland

The exhibition Tapestry in the Baroque: Threads of Splendor, which opened at the Metropolitan Museum in 2007, was the occasion for a symposium at which renowned tapestry scholars presented results of some of their important, highly detailed research. This volume publishes the papers in well-illustrated articles.

The introductory article tours the exhibition, setting out its organization over the course of the period 1590 through the early 1700s, which saw the scattering of Flemish weavers around Europe during years of religious turmoil and the resulting development of the tapestry industry in such centers as Delft, Helsingr, Munich, London (Mortlake), Paris, and Rome, and then the industrys revival in Brussels. In their articles, the contributors concentrate on specific individuals in tapestry design, production, and collecting. They distill the result of laborious digging through family and crown inventories, parish records, notarial accounts, and other archival resources, as well as close examination of historical reports, to put forward new assessments of the accomplishments of tapestry designers and producers and a better understanding of the reasons wealthy patrons collected and displayed tapestries and presented them as gifts.

368 pages, 243 illustrations. 8'' x 10''. Paper.





  • 368 pages
  • 243 illustrations
  • 8'' x 10''
  • Paper




Editorial Reviews

This is a beautifully produced glossy volumeparticularly valuable source of information and an inspirational tool which is more than fit to take its place on any serious tapestry researchers (or indeed, social, cultural, or art historians) bookshelf.
The Art Newspaper


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