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Louis C. Tiffany Peonies Cosmetic Case Set

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SALE
Price: $40.00 $20.00
Member Price: $36.00 $18.00

Item# 80-019752 







Description

The luminous flowers on our cosmetic cases are taken from the stained-glass lampshade on the Peony table lamp (ca. 19001904), which was originally produced by Tiffany Studios and is now in the collection of the New-York Historical Society.

Produced in cooperation with the New-York Historical Society.

Includes 3 cosmetic cases. Microfiber. Top-zip closures. Fully lined. Tied together with a ribbon. Largest: 8 1/2''H x 11''W; medium: 6 1/2''H x 8''W; smallest: 4 1/2''H x 7''W.

  • Includes 3 cosmetic cases
  • Microfiber
  • Top-zip closures
  • Fully lined
  • Tied together with a ribbon
  • Largest: 8 1/2''H x 11''W; medium: 6 1/2''H x 8''W; smallest: 4 1/2''H x 7''W

Art History

In a long career that encompassed nearly every form of fine and decorative arts, Louis Comfort Tiffany (American, 18481933) is particularly noted for reviving and revolutionizing the art of stained glass. To achieve his subtle and naturalistic effects, he made use of the variations inherent in glass as well as manipulating the molten material itself.

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Description

The luminous flowers on our cosmetic cases are taken from the stained-glass lampshade on the Peony table lamp (ca. 19001904), which was originally produced by Tiffany Studios and is now in the collection of the New-York Historical Society.

Produced in cooperation with the New-York Historical Society.

Includes 3 cosmetic cases. Microfiber. Top-zip closures. Fully lined. Tied together with a ribbon. Largest: 8 1/2''H x 11''W; medium: 6 1/2''H x 8''W; smallest: 4 1/2''H x 7''W.





  • Includes 3 cosmetic cases
  • Microfiber
  • Top-zip closures
  • Fully lined
  • Tied together with a ribbon
  • Largest: 8 1/2''H x 11''W; medium: 6 1/2''H x 8''W; smallest: 4 1/2''H x 7''W




Art History

In a long career that encompassed nearly every form of fine and decorative arts, Louis Comfort Tiffany (American, 18481933) is particularly noted for reviving and revolutionizing the art of stained glass. To achieve his subtle and naturalistic effects, he made use of the variations inherent in glass as well as manipulating the molten material itself.


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