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Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection

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  • Editors: Susan Alyson Stein and Asher Ethan Miller
  • Publisher: The Metropolitan Museum of Art
  • Pages: 352
  • Illustrations: 285 (100 in full color)
  • Binding: Clothbound, with jacket
  • Dimensions: 9 1/2'' x 12 1/4''
  • Format: Paperback
  • ISBN: 9780300124026



Edited by Susan Alyson Stein and Asher Ethan Miller; Text by Colin B. Bailey, Joseph J. Rishel, Mark Rosenthal, and Susan Alyson Stein

This revised and expanded edition of the original catalogue, published two decades ago, presents more than fifty masterworks by 18 of the greatest artists of the period. Notable for the astonishing quality of its individual works and for its range, the collection celebrates the many facets of avant-garde art as it unfolded in paintings ranging from Corots fresh-faced young girl of the early 1860s to Picassos world-weary harlequin of 1905. The landscape of France is seen in alluring variety: sunlit garden scenes by the Impressionists and iconic vistas of Provence by Van Gogh and Czanne join seaside views by Seurat and Braque in which Pointillist calculation gives way to riotous Fauve color. The scope of the artists devotion to still life and flower painting embraces the exquisite harmonies of Fantin-Latours fine-tuned bouquets as well as the bold grandeur of Monets late water lilies. Other signature subjects are handsomely represented by works that showcase Degass dancers and milliners, Renoirs rosy nudes, Gauguins Tahitians, Toulouse-Lautrecs streetwalkers, Matisses odalisques, and Vuillards domestic interiors. Among the numerous highlights are such benchmark pictures as Czannes early portrait of his Uncle Dominique, Renoirs Daughters of Catulle Mends, Monets Camille Monet on a Garden Bench, Van Goghs La Berceuse, and Picassos At the Lapin Agile. This richly illustrated and fully documented volume includes in-depth discussions of each of the works of art, written by leading experts in the field. Their insightful texts, benefiting from the latest scholarly and technical findings, are accompanied by newly updated provenance information, exhibition histories, and references. A comprehensive bibliography and index are provided at the back of the book.

352 pages, 285 illustrations (100 in full color). 9 1/2'' x 12 1/4''. Paper.

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