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In the fourteenth century, Francesco Landini set the stage for the Renaissance with his expressive and distinctive melodies, played here on the clavichord by Metropolitan Museum Concerts and Lectures performer Martin Souter. Joan Ambrosio Dalza was famed for his dance compositions for the lute, while the Northern European composers Guillaume Du Fay, Ludwig Senfl, Heinrich Isaac, and Josquin des Prez traveled widely, exchanging their musical ideas and helping to create an international European style. Francesco da Milano, who was often called “Il Divino,” a title shared with Michelangelo, was one of the great virtuoso performers of the sixteenth century.
16 tracks. Approximately 62 minutes.
2. Amoroso (The Renaissance Consort) - Anonymous
3. Saltarello and Piva (Lynda Sayce, lute) - Joan Ambrosio Dalza
4. Mein Vlies und Mue (Lynda Sayce, lute) - Ludwig Senfl
5. Quel fronte signorille (The Hilliard Ensemble) - Guillaume Du Fay (ca. 1400–1474)
6. Mille regretz (Lynda Sayce, lute) - Josquin des Prez (ca. 1440–1521)
Amy souffrez (The Renaissance Consort) - Heinrich Isaac
8. La Manfredina (The Renaissance Consort) - Anonymous
9. Ma belle dame souveraine (The Hilliard Ensemble) - Guillaume Du Fay
10. Lasso di donna (Martin Souter, clavichord) - Francesco Landini (1325/35–1397)
11. Lamento (Michelene Wandor, recorder) - Anonymous
12. Amor con fede seguito (Martin Souter, clavichord) - Francesco Landini
13. Lo no tango (The Renaissance Consort) - Anonymous
14. Nobilis, humilis (The Oxford Girls' Choir and Richard Vendome - Anonymous
15. Ricercar (Ness 5) (Lynda Sayce, lute) - Francesco da Milano (ca. 1497–1543)
16. Nunc dimittis (Magdala, directed by David Skinner) - Josquin des Prez


In the fourteenth century, Francesco Landini set the stage for the Renaissance with his expressive and distinctive melodies, played here on the clavichord by Metropolitan Museum Concerts and Lectures performer Martin Souter. Joan Ambrosio Dalza was famed for his dance compositions for the lute, while the Northern European composers Guillaume Du Fay, Ludwig Senfl, Heinrich Isaac, and Josquin des Prez traveled widely, exchanging their musical ideas and helping to create an international European style. Francesco da Milano, who was often called “Il Divino,” a title shared with Michelangelo, was one of the great virtuoso performers of the sixteenth century.
16 tracks. Approximately 62 minutes.


2. Amoroso (The Renaissance Consort) - Anonymous
3. Saltarello and Piva (Lynda Sayce, lute) - Joan Ambrosio Dalza
4. Mein Vlies und Mue (Lynda Sayce, lute) - Ludwig Senfl
5. Quel fronte signorille (The Hilliard Ensemble) - Guillaume Du Fay (ca. 1400–1474)
6. Mille regretz (Lynda Sayce, lute) - Josquin des Prez (ca. 1440–1521)
Amy souffrez (The Renaissance Consort) - Heinrich Isaac
8. La Manfredina (The Renaissance Consort) - Anonymous
9. Ma belle dame souveraine (The Hilliard Ensemble) - Guillaume Du Fay
10. Lasso di donna (Martin Souter, clavichord) - Francesco Landini (1325/35–1397)
11. Lamento (Michelene Wandor, recorder) - Anonymous
12. Amor con fede seguito (Martin Souter, clavichord) - Francesco Landini
13. Lo no tango (The Renaissance Consort) - Anonymous
14. Nobilis, humilis (The Oxford Girls' Choir and Richard Vendome - Anonymous
15. Ricercar (Ness 5) (Lynda Sayce, lute) - Francesco da Milano (ca. 1497–1543)
16. Nunc dimittis (Magdala, directed by David Skinner) - Josquin des Prez

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