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Van Gogh Bridge Score Pads

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Price: $9.95 $4.98
Member Price: $8.95 $4.48

Item# 80-015450 







Description

The images reproduced on these bridge score pads are details from Irises (1890) and Oleanders (1888) by Vincent van Gogh (Dutch, 18531890) in the Museums collection. Van Gogh painted flowers again and again; they represented for him the revitalizing powers of nature and also allowed him to use the vibrant colors that were so meaningful to him.

Includes 2 bridge score pads. Paper. 64 pages each. 4 1/8''W x 6 1/8''H each.

  • Includes 2 bridge score pads
  • Paper
  • 64 pages each
  • 4 1/8''W x 6 1/8''H each

Art History

Vincent van Gogh (Dutch, 18531890), the eldest son of a Dutch Reformed minister and a booksellers daughter, pursued various vocations, including that of an art dealer and clergyman, before deciding to become an artist at the age of 27. Throughout the course of his decade-long career (188090), he produced nearly 900 paintings and more than 1,100 works on paper. Ironically, in 1890, he modestly assessed his artistic legacy as "of very secondary importance."

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Description

The images reproduced on these bridge score pads are details from Irises (1890) and Oleanders (1888) by Vincent van Gogh (Dutch, 18531890) in the Museums collection. Van Gogh painted flowers again and again; they represented for him the revitalizing powers of nature and also allowed him to use the vibrant colors that were so meaningful to him.

Includes 2 bridge score pads. Paper. 64 pages each. 4 1/8''W x 6 1/8''H each.





  • Includes 2 bridge score pads
  • Paper
  • 64 pages each
  • 4 1/8''W x 6 1/8''H each




Art History

Vincent van Gogh (Dutch, 18531890), the eldest son of a Dutch Reformed minister and a booksellers daughter, pursued various vocations, including that of an art dealer and clergyman, before deciding to become an artist at the age of 27. Throughout the course of his decade-long career (188090), he produced nearly 900 paintings and more than 1,100 works on paper. Ironically, in 1890, he modestly assessed his artistic legacy as "of very secondary importance."


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