Celebrate the Year of the Dragon at The Met Store

Running in 12-year cycles, each year of the traditional East Asian lunar calendar corresponds to one of the 12 animals in the Chinese zodiac. With the Chinese New Year on February 10, 2024, we welcome the Year of the Dragon.

Sutra box with dragons amid clouds. China, Ming dynasty (1368–1644). Red lacquer with incised decoration inlaid with gold; damascened brass lock and key; Yongle period (1403–24). Purchase, Sir Joseph Hotung and The Vincent Astor Foundation Gifts, 2001 200

 

The dragon is one of the most ubiquitous motifs in Chinese art. It indicates the cardinal direction east; bears associations with water; is an emblem of imperial rule; and serves as a symbol of protection, happiness, and fertility. As the only mythological beast in the zodiac, the dragon is also one of its most auspicious creatures, said to herald a year of ambition, courage, and opportunity. 

Knotted dragon pendant. China, Eastern Zhou dynasty (770–256 B.C.). Jade (nephrite), 3rd century B.C. Gift of Ernest Erickson Foundation, 1985 1985.214.99

 

Celebrate the dragon in 2024 and beyond with these inspired multicultural designs at The Met Store.

 

Junzi Year of the Dragon Celebration Chili Oils and Dry-Aged Tea Set

Our latest collaboration with Junzi, shoppable at The Met Fifth Avenue and on Junzi's website, honors the Year of the Dragon with potent chili oils and a jar of dry-aged tangerine tea, all presented in limited-edition packaging inspired by The Met collection. 

Each container features a detail from an embroidered medallion made in the 16th century during China’s Ming dynasty (1368–1644). Contemporary records note that members of the imperial family wore dragon medallions, and this richly embroidered roundel was probably meant to decorate a robe.

Dragon medallion. China, Ming dynasty. Silk and metallic-thread tapestry (kesi), 16th century. Fletcher Fund, 1936 36.65.33

 

Bohemian Dragon Jewelry

This statement-making jewelry pays homage to the magnificent artistry of a ewer—a kind of vase-shaped pitcher—in The Met’s European Sculpture and Decorative Arts galleries.

The Bohemian Dragon Brooch

 

The fantastical tails and scales that form the ewer’s base support a smoky rock-crystal basin, fiercely protected by a gold, enamel, and diamond dragon, whose serpentine form creates a handle.

Ewer. Attributed to the workshop of Ferdinand Eusebio Miseroni. Smoky rock crystal, enamel, gold, diamonds; ca. 1680 and early 19th century. The Jack and Belle Linsky Collection, 1982 1982.60.138

 

When the ewer entered the Museum’s collection in 1982, careful examination of its design and technical assembly determined that it was originally produced around 1680 in the Bohemian workshop of Ferdinand Eusebio Miseroni (Italian, active Prague, working 1656–84), with its gold mounts added much later in Paris during the early 19th century. Learn more about the history of this striking piece and how our designers transformed it into wearable artworks in our blog post.

 

William Morris Peacock and Dragon Accessories

Both the William Morris Peacock and Dragon Square Silk Scarf and matching Oversize Structured Tote celebrate a textile designed in 1878 by the incomparable William Morris (British, 1834–1896).

The William Morris Peacock and Dragon collection

 

Morris was inspired by the fanciful beasts in medieval tapestries, as exemplified in this kaleidoscopic motif of confronted peacocks and stylized dragons. We've amplified the muted colors of Morris's original textile with a refreshing palette of vibrant hues.

Peacock and Dragon. Designed by William Morris for Morris & Company. Wool, designed 1878. Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 30.95.52

 

Chinese Dragon Mug and Tea Set

Showcasing a detail from an extraordinary Chinese dish (early 16th century) in The Met collection, this set includes a tea-infusing covered mug and a tin of Porcelain Dragons Hot Cinnamon Spice Tea from our collaboration with Harney & Sons (also sold separately). 

The Chinese Dragon Mug and Tea Set

 

This warming elixir of black tea, orange peel, cinnamon, and cloves references the fiery might of the dragons painted on the Ming dynasty–era (1368–1644) creation in the Museum's holdings. The trend of cobalt blue paint on white porcelain flowered in China during the 14th century, after which it was adapted by potters through the centuries and around the world.

Dish with Dragons and Lotuses. China; Ming dynasty, Zhengde mark and period. Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), early 16th century. Harris Brisbane Dick Fund, 1963 63.155.1

 

De Morgan Stylized Dragons Tableware

This striking collection for the home adapts the imagery on a brilliantly embellished plate (ca. 1890–1907) by William De Morgan (British, 1839–1917) for Sands End Pottery (British). 

The William De Morgan Stylized Dragon Serving Plate and Salad Plate Set

 

Having kicked off his career painting stained glass for William Morris, De Morgan developed a keen eye for color; he produced glazes with richer, softer hues than his contemporaries, and became known for his "Persian-style" pottery bearing Iznik influences.

Plate. William De Morgan for Sands End Pottery. Ceramic, ca. 1890–1907. Purchase, Edward C. Moore Jr. Gift, 1923 23.163.1

 

The designer was particularly fond of dragons, which he used to anchor the harmonizing motifs on this ceramic creation in The Met collection. Click here to learn more about De Morgan and his eye-catching ceramic creations.

 

Chinese Dragons Nested Rolling Wooden Toys

These adorable wooden dragons come from a Chinese incense burner dated 1564 and housed at The Met.

Chinese Dragons Nested Rolling Wooden Toys

 

The dragons painted on the Museum's porcelain treasure are pictured chasing a pearl. An inscription indicates that the jar was offered by members of a Wu family to the Temple of the Lord of the Black Heaven, an immortal figure in Daoist traditions, for peace and protection.

Incense Burner with Dragons Chasing Pearl. China; Ming dynasty, Jiajing period. Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), dated 1564. Gift of Stanley Herzman, in memory of Gladys Herzman, 1997 1997.1.8

 

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